Urban Indigenous hide tanning Emily Carr University!

The Aboriginal Gathering Place (APG) at Emily Carr University (ECU) is a real community asset! I enjoyed my week-long residency in this amazing space for students, faculty and staff to connect in community. AGP is a modern studio with high ceilings, roll-up garage door and several zones set up for academic work, studio work, food prep, and relaxation. Post-modern couches mix with drum-inspired side tables next to several staff, alumni and Elder created art pieces. I was blown away by the thoughtful preparations made for me by Brenda Crabtree (Director, Aboriginal Programming), the assistance I received from tool expert and artist Lawrence Lowe, and the ever-attentive Michelle Sound, (Aboriginal Program Assistant) who shared tea from her private stash. Countless students, faculty and staff came by to work alongside me and sneek a peek at hide tanning activities including the stomach-turning concoction of moose brains, sunlight bar soap and lard warmed to perfection on a camp stove, then applied to the hide to soften it. Stories were shared, connections were made and most importantly, endangered traditional knowledge was transferred to the community. It was a challenge and a joy to adapt the traditional, wilderness-y activities of deer hide tanning to an urban environment, one I’d be glad to take on again.

You can read more residency details on the ECU website: https://www.ecuad.ca/news/2018/a-m%C3%A9tis-artist-brings-traditional-tanning-to-ecu

The end is near - goodbye beautiful Banff studio

Leaving is bitter-sweet. I am happy with what I accomplished. Thank you to all those who make the Banff Centre the special place that it is.

Today and Tomorrow

Tomorrow is my last day in residency. It seemed to move so quickly and yet I miss my family. I feel that I have experienced each day to the fullest here at the Banff Centre. I attended music performances, artist talks, networked, and created. Below is today's work - devising a way for the pages of my 'testament' to link together. Tomorrow I will say goodbye to this space only as I bring my work home.

Another day in Residence...

I am in a routine of studio work that I hope I can continue when I get home. There are so many more distractions at home - things of importance that I give in to and that seem to whittle away my most productive time. Of course one can whittle away time anywhere with as little as a scrap of fluff and imagination, but if a new habit can be formed then my body will crave the sense of organization and well being that results, not to mention the excitement of creating new work.

Today's work

I worked more on my lacy rounds, but I also spent time working on this woven blanket. It is a digitally woven blanket from a .jpg file. The image is a combination of my paint strokes in the background and a vector drawing of the buffalo in the foreground. I am now applying beads to specific areas of the piece.

Kim (gullion) Stewart website

I finally have a website up and running. It has been many years of wishful thinking, interface designing and plans. I finally had to admit that I do not have the time to program the site myself. So, I have settled for a Content Managed site by Livebooks. It is super easy to update and looks great. Please visit when you can: kimstewartonline.ca

I will eventually have my own designs one day, but for now I am just happy I can share with you!

My Art at Two Rivers Gallery

I was pleased to have 3 pieces chosen for the Two Rivers Gallery 'Flux' show which is on here in Prince George until May. You can see one of my pieces on their website, Flux In my artist statement I talk about the work being my reaction to comparing the Christian iconography I knew as a child in the Catholic Church with Cree Medicine bundles of my aboriginal ancestors. Specifically exploring the idea that these visual 'objects' were thought to have incredible positive influence on the lives of those who had them, but as we move forward, not only are notions about these things changing, but the objects themselves are being represented digitally and through art. Do these 2D representations hold the same power and mystery as the originals?